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"David Herskovits, working collaboratively with a very
strong cast of five, has created a universal meditation on
loss...What is given is a poetic tissue of image and
allusion that communicates emotion more clearly than plot,
like shards of painted pottery that do not necessarily
combine to make a single picture. The three older women —
Mia Katigbak, Mary Neufeld and Tina Shepard — make something
memorable of haggard grief. The younger one, the luminous
Stephanie Weeks, contains the anguish of the failed and aged
general Adrastus." -
The New York Times "In bringing classical tragedy down to earth without losing its forceful poetry, this idiosyncratic version gives our current polis a surprisingly faithful—and satisfying—dose of healing tragic vision." - TimeOut New York "A whiz-bang mixture of film, music, stylized movement, and willfully garbled dialogue. Visionary." - The New York Sun "Full of grace and intelligence." - TheaterMania "Proving the timelessness — and eerie relevance — of Greek classics, Target Margin Theater's contemporary take on Euripides' Suppliants explores human loss and tragedy in times of war and confusion, transposing the ancient play's civic context to today's world. As Yet Thou Art Young and Rash is a well-constructed piece of postmodernism, replete with oddly beautiful choreography, deliberately vacillating delivery, and strategically interrupting multimedia moments. The captivating yet difficult work may not be for the most mainstream of audiences, but it is a welcoming dramatic piece that, like the classical tragedies, makes for excitingly relevant theatre." - Flavorpill
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